Monday, June 30, 2014

I've been working.. promise!

I haven't been very good about posting regularly, but i have still been working. My piece a day has (realistically) become a piece a month, but i'm still making smaller things all the time.

Here's what i've been up to lately.


i had some Gibeon meteorite beads custom cut for the necklace that will showcase this lovely pendant. 


This is one of Ryan's gorgeous cabs set in sterling and fine silver


Finished up the fold formed pieces from my June class samples, Finally finished the piece with the branch and made another gum-drop ring with another one of Ryan's cabs. :)

Monday, June 02, 2014

Upcoming Class- Kitchen Table Silversmithing- Bling Ring Edition

Join me June 21st 10am -5pm for Kitchen Table Silversmithing- the Bling Ring edition!

Ready to take your silversmithing skills higher? In this workshop class, we will create a bezel set statement ring. I will have an assortment of fabulous boro glass cabs made specifically for this class by local glass artist Ryan Pleso.
You must bring a butane micro torch, fuel, firebrick, jewelers files and pliers for this class. Additional tools that you may wish to bring are- texturing hammers, rawhide mallet, burnishers, decorative/letter metal stamps, ring mandrel and metal shears. Some shared tools will be available for use in class.
A class kit containing silver sheet, solder, bezel wire and ring shank/pattern wire is included in the class fee. Bench incidentals like finishing supplies and flux are included in the class kit. Additional wire options will be available for purchase in class for those wishing to try more advanced techniques.
Contact Laurie at the Memphis Botanic Gardens to sign up at 901-636-4128 Members $95, non members- $110

Wednesday, May 21, 2014

Fold Forming class this Saturday!

If you're looking for something AWESOME to do this weekend- come bang on some metal with me this Saturday at the Memphis Botanic Garden ! Fold forming is easy to learn and is infinitely customizable (and pretty much impossible to mess up!)

If you've never done it before, all you need is a hammer and a bench block and a desire to do some greatly satisfying, stress-relieving forging. At the end of class you will have a bracelet, pair of earrings and pendant to show for it. (All in sterling silver!)

All materials are included in the class fee of $150 for members of the Gardens ($170 for non-members). Bracelets like the ones you'll make in class start at $250 on etsy!

Call  Laurie at 901-636-4128 to register. Email me if you have questions about the tools required for class (or borrowing tools if you're just not sure if metal work is for you )

Thursday, April 24, 2014

Untapped! or How to save the Tennessee Brewery

I had the pleasure of going to the volunteer opening of Untapped last night. For those that don't know, the historic Tennessee Brewery, home of Goldcrest 51 beer and some freaking amazing architecture and views, is under the gun. The owners have been unable to turn it into viable space since purchasing it in 1997 to save it from demolition and are looking at having it torn down at the end of July and the land sold off. 

When I first heard the Brewery was set for the chopping block, I freaked out... I literally cried at the thought of the loss of this amazing building. (and at this point, i had never been inside it- only taken photos of the facade and seen photos from within). I started researching the economics of the area and projects that had saved buildings like this- i'd been pretty active on Indiegogo and Kickstarter looking for 3-D printers, so i'd seen a few where they raised money towards something like this. The Huntridge Theater in Las Vegas was my case study- they raised $207,355 against a $150,000 goal to just put on an event to show the space was viable and worth saving. 
Per their indiegogo campaign "Even if we raise this campaign’s full amount and end up with $150,000 or more, that’s obviously not even close to enough to lovingly renovate, and reopen, or even buy the Huntridge.
It will prove that community support exists to justify much larger private investment in a project that is motivated more by passion than just profits."
>So i decided to start an indiegogo for the Brewery, but i needed help. Photographer Walter Arnold (look here! ) had taken some amazing photos of the Brewery, so i asked if i could link to his images to show people what they were saving. He was all about it and suggested i contact June of Memphis Heritage to see how they could get involved in saving the Brewery. I'm sure my email came across as a little bit of begging, but i was desperate to get people in action- the newspaper article said we only had 30 days! I flooded my facebook feed with photos, links, requests for action, and down right pleading.
June was already in action. Memphis Heritage also sent out the call for people to save the Brewery and on a cold evening in January, Andy, Chris and I squeezed into a packed room at Memphis Heritage to brainstorm and discuss the future of a building. Our idea of the Brewery as a beer garden (and potentially the host of the annual brew fest) was well received (thank you Chris for speaking up and sharing it!) 

>I'm loving the idea of using the Brewery as a pop up shop (i believe the MemShop folks had a hand in that! It's worked great in Crosstown and Broad Ave and i have my fingers crossed it's going to do its magic at the Brewery) Doing sectional revitalization as opposed to a top to bottom renovation means that you can make an impact with less initial investment. If only the first floor of the Brewery was utilized as a mixed use space for retail, food, and a performance venue, the whole building could be saved. (excellent piece here about ways to use the space that the whole city can enjoy)

I am looking forward to the next 6 weeks with cautious optimism. I am hoping that this will provide the basis for a long term sustainable and profitable use for the Brewery. I'm hoping that in July, i won't be mourning the loss of a landmark, a gorgeous building rich with history, uniqueness and a presence that takes me to another time. I'm hoping that i'll be able to say that i was involved in helping save something- that i helped make memphis a better place. Instead of letting it be the city that 'destroys its history and defiles the graves with stripmalls', instead of letting memphis continue to bear the label of "The City that Doesn't Care".  

Keep tuned here, on my G+ page and my Facebook for updates and images. 

And if you want to get involved:
Here's the link to the Untapped page on Facebook, and their Google+ page
Also, I recommend following Memphis Heritage on Facebook for info on this building and dozens of others in Memphis that are just as important.

Monday, April 07, 2014

Show season!

I have jewelry pieces from this weekend to post, but i forgot to take pictures. So, here's a teaser of the booth set up that Erin and I have been working on for our shows this season.

I've added some vertical space and Erin has brought in some non-traditional displays to create some visual interest that i'm really digging!

Be sure to come see us at the Broad Ave Art Walk April 11th, 5-10pm, V&E Art Walk, April 26th 11am-6pm and East Buntyn Art Walk, April 27th, 2-6pm.

Wednesday, April 02, 2014

Something to do this weekend- Forging on the River!

You all know I *love* the Metal Museum, so I have to give a shout out when they have something going on.

April 4th, 5th and 6th, they have their annual Forging on the River event. It's not just for blacksmiths! There's an art auction and wild game dinner Saturday night that is a huge event for the Museum. Tickets are only $50 and they're for a great cause (the museum and its programs) *AND* you can bid on some amazing works, like a pierced vessel from enamelist Sarah Perkins (i love her work) .
Click the link below to go to the Metal Museum's page on FotR for all the details.
Forging on the River

If the conference isn't your style, there are some spectacular exhibits on display right now- including a kinetic sculpture exhibit that is quite neat. Think of star gazing. :) 

Friday, March 28, 2014

Jewelry a day challenge- March 28th

Sterling silver fabricated from 18 gauge square wire. Approximately 3/4"- commissioned earrings -triskle design.

Wanaree Tanner is coming to BMB Designs!

That's right! The super talented Wanaree will be offering her Metal Clay Gallery Box pendant 2-day workshop, September 13th and 14th from 10 am to 5 pm. 
Please take a look at the prospectus here for more information. 
 Go here to claim your spot in this amazing class on Square Market. Only $100 deposit to reserve a seat!

Wednesday, March 26, 2014

Jewelry a day challenge- March 26th

Well... It looks like I lost over a month of making- but I'm working on getting back on track.
I *have* been making things, like today's piece that has taken me almost 2 weeks to finish.  Inventory,  getting sick twice, concerts, midsouth con and trying to balance having a social life with being a hermit artist has had me ping ponging. It's a difficult balance- being a part of the world, having a family and friends, working a full time job and being an artist. The day to day is sometimes enough to drain the creativity right out- it's a slippery slope but I am climbing back up :)
So tonight I present for you a piece that was originally a pin/pendant combo and is now just a pendant. It features a rounded triangle lepidilite in quartz cab flanked by 3 faceted pear purple CZS and balled silver.
And since it matches the color scheme, me in my dark elf (drow) costume from Con. :)

Wednesday, February 19, 2014

Jewelry a day challenge- February 19th

Three spinner rings (still doing catch up)
One sterling with a sterling and titanium mini Helm weave chain maille spinner.
One copper with copper pattern wire spinner
And finally,  copper with two hammered copper spinners
The class i am teaching at the gardens this Saturday is a silver ring with silver spinner(s), but the copper is easier to take pictures of for my instructions and I can make tons of them! :)

Tuesday, February 18, 2014

Jewelry a day- February 18th

Here's the piece I put the finishing touches on today. It's a size 16 men's spinner ring in sterling silver.

Wednesday, February 12, 2014

Jewelry a day challenge - February 12th

I must be dreaming of sundresses and walks on the beach. This set makes me think of a barefoot stroll on the sand, with my hair pulled up, a flowy dress fluttering in the breeze and my movie star shades and floppy hat on.
Yeah- i need a break from this cold!
This set has exotic wood beads paired with hand blown hollow beads, Bali silver, and a large floral design pendant, also of dark wood. The matching earring are super light weight and feature the gorgeous gray blown glass as their focal.
This set is available. Email for details.

Monday, February 10, 2014

Jewelry a day challenge- catch up

After finishing my-favorite-piece-EVAR!  Last monday, I started working on some mokume gane pieces- soldering on rings at the tops of the earrings, filing down the surfaces, hand sanding.... The Super labor intensive part. And they were going along well Tuesday night- i figured I would finish both pair on Wednesday and be current with my challenge.  Then Wednesday had other plans- i stayed in bed all day with flu like body aches and sore hands and joints. :(
So, today, I sat down and made some earrings to get me back on track :)
Clockwise from the top: Bali silver with red coral and hypersthene, aquamarine puffy cubes, amethyst and sterling silver, pink amethyst and rose gold filled, tanzanite and sea green apatite on sterling silver, Ruby in kyanite with microfaceted rubies on 14k gold filled, and finally, hand carved quartz leaves with rose gold filled. 
All are available for sale and are priced as follows for my Valentine's special: (again- clockwise) $12, $32, $36, $18, $45, $35. Please email or Facebook message to purchase. Prices go up after Valentine's!
First pic with flash is to show the sparkle on those pink amethysts- they're gem quality :)

Monday, February 03, 2014

Jewelry a day challenge - February 3rd

Today's piece is my favorite I've made to date.
The fabricated pendant features a bronze trilobite I cast from an original (from Utah) I bought at the last rock show, a gorgeous Labradorite with a full soft rainbow, a pyritized ammonite with rainbow druzy pockets and a rose cut labradorite.  The edges of the pendant are coined and the back bears my makers mark, sterling quality mark and an amazing patina that looks like bubbles in the surf.
The necklace has microfaceted pyrite with mystic labradorite faceted rounds and micro Bali silver daisy spacers. It's finished off with an old stock box clasp with a smooth oval bezel set labradorite that balances it nicely.

Sunday, February 02, 2014

Jewelry a day - follow up

I decided to finish up the charoite and moonstone pendant with a necklace.

Here it is: hand forged toggle, native cut rainbow moonstone and faceted amethyst rondelles, sugilite rounds, microfaceted amethyst,  old stock Bali silver and charoite puffy squares.

Jewelry a day- February 2nd

I have been trying to break the dragon habit of hoarding all the pretties. Today's piece uses an exquisite cab of oolite with lovely orbs and consistent pattering. It is polished on the back as well, so I've cut a window out behind the stone so all its greatness can be admired.

I set it in a scalloped bezel, to echo the pattern. Then paired it with a bronze cab I made from a vintage button mold. Its smooth bezel is complemented by a halo of bead wire. Topped with a brushed bail,  it's an eye catching pendant. 

I learned I need to brush up on my sawing skills as the 22g sterling base gave me a few fits. My maker's mark is on the back, sterling quality mark on the bail.

Jewelry a day challenge- February 1st

Sorry about the delay. I got tied up with another piece and didn't post yesterday. (Friday I was at the Incognito gala for the Memphis botanic gardens)
These are fold formed brass with sterling silver earwires. The patina on the brass is heat patina.

Thursday, January 30, 2014

Jewelry a day challenge January 29th

I began working on this piece yesterday when I found it in one of my cab trays. It was a piece I made for one of my PMC certifications, which would date it to 2000-2003.
It was a very experimental piece with metal clay hinges and metal clay bezels for the two non kiln safe stones to be set after firing. The square one shrank perfectly, the large one for the charoite was too small. So back then,  before I learned to solder, I patched the bezel with metal clay and refired that part. The hinges were too thin, the hinge 'pin' was a bundle of lopsided torch balled 24g headpins, that never sat right, and the bezel looked like it was Frankensteined.... I had worn it a couple of times and it would get caught, as the headpins were too long and the hinge finally broke slightly. It was tucked away as an example of failed design.
Fast forward many years and much improvement in skill. The base is solid. The shape is good. The design has a nice Asian flair, reinforced by the kanji texture on the back of the piece. It was worth saving. So, I reworked its weaknesses.
I removed the hinge. Unset the rainbow moonstone and charoite. Cleaned up where the hinges were and removed the patchwork bezel. The I set to evening out the fine silver base where the bezel had been attached,  patched and filled in. I made a new bezel from fine silver bezel stock. I cut a piece of silver tubing and cleaned up its edges
Then I soldered it all together with silver solder- the top piece with the moonstone and purple czs, the tube and the bottom focal part. And then I had to put the bail back on after I set the moonstone because I got a little too rough with it.  So, moonstone came back out, reattached the bail and then cleaned it up. As the piece was originally executed in metal clay, there was a lot of cleaning up to do. Fingernail markes, uneven thickness of the edges.... I toiled until almost midnight last night, vowing not to let the piece win. But I had to let it, and me, rest.
Tonight's work was finishing the edges, filing and sanding out a divot in the bail, polishing everything, setting the stones, applying patina and then final finish and polish.
I think for an experimental piece from my early career,  it cleaned up nice. :)
If I can find a pic of the original,  I'll post it so you can see the comparison.

Wednesday, January 29, 2014

Jewelry a day challenge- catch up

Well.. Sunday i went to the bead and gem show and got some amazing old stock Bali and Karen Hill silver. I mean, this is the real deal primo stuff from before the market crash when everything went to silver plate and simple designs.. i got some rounds that have some of the most amazing granulation on them i have ever seen.

And the weather here was amazing that day- 65, i think.. and after weeks of bitter cold and knowing that bitter cold was again, right around the corner, i went out and enjoyed the day. I collected some acorns and seed pods that will be excellent for elecroforming, so even when i'm not making jewelry, i'm thinking about making jewelry. :) I did put together a pendant that i could technically claim as a piece for the day, but i have plans for it to be an entire necklace, so i'd rather save it and show it finished than get partial credit.

Monday was a productive day, just again, not on the jewelry making front. I repaired one of my corsets- the busk needed a set of rivets repaired- i wound up making new rivets and putting it back together. and i listed a piece of jewelry on etsy- 1 towards my goal of 2 a week.

Tuesday, i worked on revitalizing old work. I had some great ideas back in the day, but not always the skill to execute them. So, i pulled out an old pendant, took out the stones and fixed some things. I will post a picture of it with my challenge piece tonight (don't think i got extra industrious and made 2 pieces today)

Saturday, January 25, 2014

Jewelry a Day Challenge Jan 25th

This is kind of cheating... it's the piece i made as my demo in class today. Still needs a little finishing, but looks pretty good so far.

It was a fun class- fine silver metal clay, cut, domed and dry fitted and then assembled post firing. the ladies in my class made some great pieces and i can't wait to see where they take the 'technique'