Creative Life- Week 31

So.. yeah. I may have missed so studio time in the past few weeks. I was traveling for work again and I actually had to close the shop on two Wednesdays because of it. I got back on track last week and I made some new pieces. :)
I'm also getting ready for some great classes coming up at both the MBG and BMB designs and my calendar is so full starting this weekend through December, I'm not sure what to do with myself!

We went to Frankstown, MS and hunted for sharks teeth last weekend and that was SO MUCH FUN! it was great to wade through the water, hunt for teeth and fossil shells and watch the minnows in the slow moving creek. I have the hunting bug now and am looking forward to opportunities to look for more rocks and fossils in unusual places.

Since I have shows coming up- starting with the Crosstown Clectic show August 26th and 27th, I have been busy making. Here are some of the new pieces I've been adding to my stock.

Creative Life 2016- week 15 part 2

Spring is in the air and i've had monkey brain most nights, leaving me groggy in the morning and grumpy in the early afternoon.

However, since the night time is my-time, i have been getting some work made and i have a slew of sketches that i can't wait to get started on. I'm trying to make work in cohesive 'collections' now, for a few reasons-- 1- it makes my work easier to display as things go together and make sense instead of being a visual testament for my artistic ADD and 2- it makes it easier for me to enter into competitions, scholarship opportunities, etc because my work makes sens to a juror, judge, etc.

I'm still focused on my fold formed pieces, but i've branched out into enameled fold formed pieces over the past year and now i'm adding enameled beads to my fold formed focals. this lets me pull my enamel only work seamlessly into my current offerings also.

I'm really wanting to get back to my enamel 'sketch' work- where i actually draw on the enamel with a graphite pencil and fire it all together to create a permanent 'doodle' on jewelry. i have a giant focal i did almost 2 years ago that i love, along with my smaller pendant pieces, and i think there's some great possibilities for me there- both in the finished work and in the artistic process.

The other 'line' i'm working on is a narrative set of pendants inspired by words from http://other-wordly.tumblr.com/. The first in the series is Werifesteria (to wander longingly through the forest in search of mystery) and has a dendrite stone as its focal.

Here's what i finished last night- it's the only one i have right now in silver. While i love copper and i love working in copper, i love silver too, and sometimes something a little fancier is needed. :) the chain is random lengths of this lovely twisted figure 8 link connected by hand wrapped links with tiny labradorite. The focal is dauphine and harvest blue enameled pieces with organic wrapped sterling bits and a big chalcedony tear drop (i've had these in my stash for *years*- they were one of my first big splurges- i paid more for the strand than i was normally spending on a whole order of other beads. I've slowly been adding them to special pieces and this was a match made in heaven!)

Don't forget to come by and see me at the East Buntyn art walk this Saturday from 1pm-6pm! The commemorative glass this year is a pretty red and once you buy the glass at headquarters, you can get pours from all the artists around the neighborhood as you browse and buy one-of-a-kind art!

Creative Life 2016- week 10

well.. i've missed a few weeks. i was in Denver the last week of February and i was in Nashville last week. In between all my travel, i've been fighting off a sinus infection that reminds me it's there by sending me to bed at 4 in the afternoon. Not exactly the most conducive atmosphere for creativity.

I took a granulation class at the Metal Museum this past Saturday with Doug Harling. When i'd signed up for the class back in January, i had no idea how badly i would need it. It was the first time i'd been at the torch in almost 3 weeks. And this technique is all about patience-  something that i have been in very short supply of recently, so that was good. It's funny how i can pull patience up when i need it for something like this, but still have none for my daily life.

We worked in Fine Silver, but i'm already itching to try it in gold. This is a way that i could make my gold go further and is much less wasteful than casting.

 

Creative Life 2016- Week 7 - Continued!!

Look at me.. making twice in one week! {sarcasm} if i had the energy, i'd be in the studio every night again, making a dozen pieces a week. The weather is absolutely beautiful today though- i rode the scooter back to work after lunch (and was tempted to not go back to work) and am looking forward to riding around this evening, before the chill sets in after dark.

Last night i got a few pieces made :) To be fair, they were mostly doing the final assembly, clean up or whatnot of pieces that have been sitting around for a while- the large copper piece has been tossed around my office for almost 2 years. BUT- i'm going to take the victories i can get and i will be content in knowing that these pieces are not 100% complete and ready for pricing and display.
Yes- i tweaked the image strangely, otherwise, you wouldn't be able to see the three earrings at all. one pair is a wire fabbed triske- Sterling, one is mold cast fine silver trilobites and finally, the bottom set is made from water cast pieces that have been soldered together to create a harmonious pair.

The leaf is a fine silver peperomia leaf with liver of sulfur patina (sealed) on a metallic bronze leather cord with sterling clasp. And of course, that big honking statement piece is solid copper- coated to protect the brightness.

Creative Life 2016 - week 7

BOOM! Finished piece. finally. (other than the competition piece and class samples). Indian Kammererite, Australian mint chrysoprase, sterling silver. hand made matching, removable chain. Satin finished. 2/2016.

That's the positive- what's below is the whiny, emotional, artsy-fartsy stuff that goes through my head all the time. If you want to skip it, that's fine. Scroll back up and look at the pretty. :)

2016 has been a rough year, creatively speaking. I am realizing that I need to take some things off my plate in order to be more effective at the things i need to keep. I got distracted by the 'business of art making', the networking, the groups, the functions, and forgot that at the end of the day, i need energy for the actual art making. It always gets hard during the winter months, when the energy is scarce to begin with. I'm sure by late spring, i'll be back to my old self, getting involved with this guild, or working with that group for a show. and i'll be delighted by my connectedness, my sense of belonging to a bigger community, and my ability to make progress in the 'art world'. Right now, i just want to curl up under the blanket with the kitties and sleep.

There have been a lot of external circumstances that have made me feel less than my normal self over the last few months. I have looked back over my writing, my sketching, my finished work (what little there is) to see how my state of mind has been going. the lack of content speaks volumes. even my blog posts have been of lower quality and certainly less frequency. I really hope Blogger gets their app fixed soon so i can blog from my phone. I spend most of my workday on the PC, and honestly, getting on it when i get home is one of the last things i want to do. (also why i have a pile of invoices to enter into QuickBooks.... hmm... )

I think i just need to hibernate from like December to April. come out for food and showers and then retreat back to the blankets. if i live tweet it and cast it, does it become performance art? { sarcasm }

Weekly Challenge- Week 41

Pink Palace Craft fair was AMAZING!!!! it was so much fun to get to demonstrate, hang with my metalsmith BFF Virginia and interact with people that *loved* our work! I was in the studio each night after the show making new stock to fill in all the stuff we sold. It was a wonderful validation of what i've been doing and i am beyond thrilled.

Here's some of the stuff i made this weekend that went into the booth. My next show is going to be River Arts and i'll be demonstrating in the Artists @ Work tent and my work will be for sale in the Artist Marketplace there where the demonstrations are. I'll be doing some air chasing demos for sure, most likely cuffs and 6x6 wall pieces.

Weekly challenge - Week 40 continued

I had a busy night last night! I got 4 spinner rings completed (smaller sizes both in width and ring size for those of you with dainty fingers!!) and 2 wider ones almost finished. These are all sterling silver (and gold- the bottom one in the pic has rose gold filled and yellow gold filled spinners). I need to get busy on some copper ones too so i'll have plenty for this weekend!

I also made some fancier stacking copper rings- the heavy gauge wire is great for adding texture- i love all these and am going to have to make myself a set when i have some down time (HAHAHAH!!!).

Weekly Challenge - week 31

Somehow i lost or failed to take a photo of the work i completed last week, so look at this adorable kitten in the mean time. :) It fits in the palm of my hand and loves to snuggle (and will be needing a home soon!!! If you're looking for an adorable new addition to your family, please let me know.)

Here's one of my wall pieces on display next to the amazing calming clay and wood work of Jonathan Griffith and the technically impressive pulp paintings of Chery Cratty. 

CAC Art show in Nashville Update

Everything was loaded up Saturday morning and dropped off for its trip to Nashville today. I know that i'll see it all on display this Friday when i go to the opening, and i'm excited about that. I think i created a nice cohesive collection for presentation. Here's some photos of the work. 

Weekly Challenge- Weeks 27 and 28

Week 27 was crazy- I went of out town for work on about 2 hours notice and spent about 22 hours 'in transit' due to various reasons and didn't get back until Thursday. I got to go to Minneapolis for more than a layover though, and i have to say Minnesota is gorgeous! (last time i was passing through it was December and everything was covered in white- hard to really tell what a place looks like when it's 10 feet deep in snow)

But i got caught up and have some great work to show off- i'm really digging the sculpture stuff i've been doing lately, and it's fun to work a design out in the 'wall scale' and then see how to miniaturize it for jewelry. I've got all my pieces pretty much ready for the show in Nashville next month and i have to say, i'm SUPER stoked about it. (and a little nervous-- pricing is so hard... )

part of one of my wall pieces

And i've decided that i'm going to do a small travel trailer instead of a VW bus for my mobile studio... it was hard-- OMG so HARD to let go of that dream of a completely mobile and self contained studio. Especially after i completely fell in love with that 1st high top bus i found in Cali. BUT... after looking at the Acorns and seeing how much more room i would have for equipment and me, and looking at the reliability issues that VW buses have (even well restored ones) both andy and i would feel more comfortable about me gallivanting across the country in a reliable car (hopefully a new car with warranty) with a small trailer behind. I'll be updating my gofundme with the new information as soon as i have something more solid.

Weekly challenge- Week 25

this week's piece came together very quickly and exactly like i had hoped (very close to the sketch i made on Monday). I bravely assembled a 3 inch by 3 inch sheet of 24 gauge sterling silver, 18 inches of 12 gauge sterling square wire, fine silver bezel wire, 26 gauge sheet, a Wild Horse Canyon agate cab and a dark aqua larimar cab into a statement neck piece.

The forming of the metal was finished in one 3-4 hour session and it would have been completely finished in less than an hour more except my perfectionism kicked in and i tried to 'fix' something that no one would have ever noticed and made another 4 and a half hours of work for myself, cleaning up the damage i did. Check out the progress pictures below with the finished piece down at the very bottom.. I'm wearing it today to try to make adjustments to the neck wire for comfort. I think the wire will need to be trimmed a bit as the ends overlap now that i've put bends in it for the collar bones.  It is very comfortable so far - the air chased piece is extremely light (but super strong) and the 12 gauge square is a very comfortable size, especially since i took some 500 grit sandpaper and rounded the edges a just little.

The finished piece.. now to decide if i will oxidize or not.. 

Weekly Challenge - Week 20

Much like the oft cursed writers block, visual artists also get creative block... in my studio, it's ruefully referred to as Makers Block and has a myriad of inconsistent cures, and only one or two consistent ones.

There have been many things going on in my life lately that have drained my creative energy to near critical levels- not necessarily bad things- just things that require a certain level of my focus and my will. This is not unusual for a sensitive artist type person to experience- sometimes just day-to-day takes too much from us- the curse of feeling life so deeply. If we try to force the creativity when the energy isn't there, it's obvious in the work that we make. It lacks authenticity, spirit and a voice.

I've pulled designs from my archives to execute and get half way through and realize they're lifeless. and it's my fault. So, i'm going to do what i know works to get the creative batteries recharged- I'm going to spend the weekend in the woods, hunting for textures, rocks, quiet moments and memories with friends and family.

Once i come back, recharged and ready to face the world anew, i'll get my Mobile Metal Studio rewards worked on and send out my next update. I've had to back burner the project for the last few weeks even though it has pained me to do so. I found a VW Bus in Murfreesboro TN, although the rust repair may be more than i can take on with everything else as it is.

In the meantime, here's what i have been working on that i feel isn't lacking in heart because they're technical exercises, samples for my upcoming class. (the top one was made last week- the bottom one the newer, more Art Nouveau approach)

Mobile Metal Working Studio

Last week i set up a GoFundMe for a VW bus that i can use to go to out of town art shows and also have a mobile metal studio for said shows as well as local events. I'm so thrilled at the support i have received so far but i still have a ways to go to be able to purchase and transport the bus from Cali.

I've created a logo for the MMWS and i'm already pricing how much it's going to take to get this thing on the road and to shows! (Positive thinking-- especially since the seller has lowered the price if i can get it off his hands this week!!!)

Rough draft of the logo- needs a little polish, i know.

Here's the link to the GoFundMe page- every little bit helps and i do have rewards for donations- I'm not just asking people to just give me money for an art project- I'm offering product in exchange for an investment in my community outreach plan.

Here's a picture of the high top camper VW Bus- it'll need a new paint job eventually, but it will do until i can get the inside outfitted to be useful. i think i'll paint her to match my studio. :)

Weekly Challenge- Week 6.75

I tried out some new techniques this weekend while i was supposed to be making stock for my upcoming show. i needed the creative boost of trying something new, because while i love making spinner rings, and stacking rings, and antique button pendants and fold formed earrings, i can get a little stagnant with my designs and my execution without a little injection from something different... so i played with some larger scale (wall jewelry size) air chasing and some enameling techniques that i had set aside many years ago and never quite gotten back around to exploring further.

No finished work yet, but here are the preview pics. :)

air chased copper with wood, art glass and paper. still working on the layout.

  

Graphite on enamel. 2 layers of opaque enamel were laid down and fired, then stoned smooth so i could draw on it. Then i doodled :) this is before firing.

 this is after firing. :) 

What I've been working on- December Update

I've had a lot of stuff going on lately on the artistic front. I created a piece for a challenge and actually submitted it (it didn't win, but that's not the point), I've been doing a fair bit of teaching, and I've been invited to teach a weekend workshop in Metal Clay at the Appalachian Center for Craft. I am participating in a show this weekend at the Brooks Museum- the Holiday Artist Market- and i'm pretty excited to see how that goes. Shows this year have been very positive experiences so far, decent sales aside, and i've learned so much from them. the shop is full of new stuff- tools, blanks, beads, chain and of course, finished jewelry. :)

So- yeah- I've been a busy little bee! Here's some Eye Candy for you. :)

Sterling Triskelion Earrings

Iris Fine silver button pendant with LOS background patina

Torch Fired enamel beads

Various rings

Infinite Love necklace

Ginormous garnet ring

Tool Corner: Mini Hammer Review

So, with the popularity of Bill Fretz's PrecisionSmith hammers, it was only a matter of time before the knock-offs arrived. After all, for the growing population of weekend jewelers, $45 or more on a single hammer that they may not use frequently is understandably hard to swallow.

Forming and fabrication are currently the darlings of the hobby jewelry making world, as evidenced by the plethora of new tools, books and videos available. This is a good thing! It means more toys for me to try out and give recommendations on :)  Which is what i'm going to do here, in what will hopefully become a regular feature for me- Tool Corner. I have the ability to order ones of tools, give them a go and then, if they're great, i'll carry them in the shop.. if they're not so hot, then i can let people know where better to spend their money.

Back to the hammers- everyone seems to have their version of the Fretz PrecisionSmith hammers now- and it is important to note that these hammers are the same size as the smallest of the Fretz hammers. The SilverSmith line has not yet been replicated. EuroTool, BeadSmith, Contenti and even Wubbers have their own take on these hammers. I have taken the EuroTool and BeadSmith hammers for a test drive. (Note- I do own several of the precioussss, i mean Fretz hammers, so i am comparing these to the real deal)

The EuroTool hammers (Mini Trustrike) have a darker wood handle than the BeadSmith, so they are visually a closer match to the Fretz (the Contenti are even closer, as they have Rosewood handles, just like the Fretz). The heads are highly polished and look very nice. they're secured to the hardwood handles with a pin on the side opposite the EuroTool logo. I took the Embossing Hammer (face 65mm) for a test drive and loved the feel of it in my hand. It's not quite as light as the Fretz- the handle is a little thicker and a touch longer. At $24.99 retail per hammer, it's a considerable price difference for minimal difference in feel and performance- i will have to see how it holds up over time. There is also a 7 hammer set with a stand that retails for $129.99-149.99, depending on the site. I am waiting on the texturing hammer to arrive so i can compare the quality of the texture faces to the Fretz (the raw silk is my absolute favorite texture and i use the Fretz whenever i can for it!) That they are called the Mini Trustrike makes me think that the standard Trustrikes are in the works.

The BeadSmith hammers, just known as Small hammers have a light wood handle that is longer and not as thin as the Fretz hammers and made of a lesser quality wood. Of the 7 Beadsmith hammers, only a few have handles that are the same length or shape. It sits in the hand slightly different from the EuroTool hammers as well. The head is coated in black and polished on the faces. It is also pinned to the handle and a few of the hammers display a little overrun of glue. At $18.99 retail, they are less expensive than the EuroTool, but they also feel cheaper.